Site specific installation at the modernist building of the Gerrit Rietveld Academie.
Computer generated anaglyph prints, video loop (8'), anaglyph glasses, Sculptures made with Super Sculpey polymer clay, citadel paint, plexiglas, ceramic, glass.
“Following a physical approximation, chaos would amount to depthless shadows, but the screen disengages its dark backdrop, the ”fuscum subnigrum” that, however little it differs from black, nonetheless contains all colors: the screen is like the infinitely refined machine that is the basis of Nature. From a psychic point of view, chaos would be a universal giddiness, the sum of all possible perceptions being infinitesimal or infinite minute; but the screen would extract differentials that could be integrated in ordered perceptions.”
The Fold: Leinbinz and the Baroque, Gilles Deleuze
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